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(Dis)embodying Myths in Ancien Régime Opera

Multidisciplinary Perspectives
ID 417829
Slug disembodying-myths-in-ancien-regime-opera
Contributors
Editor : Bruno Forment
Annotation
Description The role of mythology in ancien régime opera. Throughout the Ancien Régime, mythology played a vital role in opera, defining such epoch-making works as Claudio Monteverdi's La favola d'Orfeo (1607) and Christoph Gluck's Iphigénie en Tauride (1779). The operatic presence of the Greco-Roman gods and heroes was anything but unambiguous or unproblematic, however. (Dis)embodying Myths in Ancien Régime Opera highlights myth's chameleonic life in the Italian dramma per and French tragédie en musique of the seventeenth and eighteenth centuries. Written by eminent scholars in the fields of music, literature, theatre, and cultural studies, the six essays in this book address important questions. Through what ideological lenses did the Ancien Régime perceive an ancient legacy that was fundamentally pagan and fictitious, as opposed to Christian and rationalistic? What dramaturgies did librettists and composers devise to adapt mythical topics to altering philosophical and esthetic doctrines? Were the ancients' precepts obeyed or precisely overridden by the age of ‘classicism'? And how could myths be made to fit changing modes of spectatorship? Enlightening and wide-ranging on an essentially multidisciplinary development in European culture, (Dis)embodying Myths in Ancien Régime Opera will appeal to all music, literature, and art lovers seeking to deepen their knowledge of an increasingly popular repertoire.
Genres
Subjects
694 Cultuur- en mentaliteitsgeschiedenis NUR
NSTC
Publisher Universitaire Pers Leuven
Imprint
Language eng
Page count 184
Duration
Publication date first 2012-04-20
Publication date latest 2012-04-20
Cover URL
Editions
  • ISBN: 9789058679000 (BC)
  • ISBN: 9789461660572 (EA)

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