Unbidan
Acme Inc.
            {
    "id": 384858,
    "slug": "somaesthetic-experience-and-the-viewer-in-medicean-florence-allie-terry-fritsch",
    "nstc": null,
    "title": "Somaesthetic Experience and the Viewer in Medicean Florence",
    "subtitle": "Renaissance Art and Political Persuasion, 1459-1580",
    "collection_title": null,
    "collection_part_number": null,
    "annotation": null,
    "description": "Viewers in the Middle Ages and Renaissance were encouraged to forge connections between their physical and affective states when they experienced works of art. They believed that their bodies served a critical function in coming to know and make sense of the world around them, and intimately engaged themselves with works of art and architecture on a daily basis. This book examines how viewers in Medicean Florence were self-consciously cultivated to enhance their sensory appreciation of works of art and creatively self-fashion through somaesthetic experience. Mobilized as a technology for the production of knowledge with and through their bodies, viewers contributed to the essential meaning of Renaissance art and, in the process, bound them to others. By investigating the framework and practice of somaesthetic viewing of works by Benozzo Gozzoli, Donatello, Benedetto Buglioni, Giorgio Vasari, and others in fifteenth- and sixteenth-century Florence, the book approaches the viewer as a powerful tool that was used by patrons to shape identity and power in the Renaissance.",
    "imprint": null,
    "language_code": "eng",
    "original_language_code": null,
    "page_count": 312,
    "duration_seconds": null,
    "publication_date_first": "2020-08-27",
    "publication_date_latest": "2020-08-27",
    "cover_url": null,
    "editions": [
        {
            "isbn": "9789048544240",
            "product_form": "EA"
        }
    ],
    "ratings_count": 0,
    "read_count": 0,
    "review_count": 0,
    "favorite_count": 0,
    "reading_status_read_count": 0,
    "reading_status_reading_count": 0,
    "reading_status_want_to_read_count": 0,
    "rating_average": null,
    "ratings_distribution": {
        "1": 0,
        "2": 0,
        "3": 0,
        "4": 0,
        "5": 0
    },
    "created_at": "2025-09-19T13:35:28+00:00",
    "updated_at": "2025-10-28T00:31:07+00:00",
    "publisher": {
        "id": 106,
        "slug": "amsterdam-university-press-bv",
        "name": "Amsterdam University Press B.V.",
        "created_at": "2025-09-19T12:25:37+00:00",
        "updated_at": "2025-09-19T15:13:02+00:00"
    },
    "contributors": [
        {
            "id": 235709,
            "slug": "allie-terry-fritsch",
            "key_names": "Terry-Fritsch",
            "names_before_key": "Allie",
            "prefix_to_key": null,
            "contributor_role": "A01",
            "readable_contributor_role": "Author"
        }
    ],
    "genres": [],
    "subjects": [
        {
            "scheme_identifier": "32",
            "scheme_version": null,
            "main_subject": false,
            "subject_code": "685",
            "created_at": "2025-09-19T13:35:28+00:00",
            "updated_at": "2025-09-19T13:35:28+00:00"
        }
    ]
}
        

Somaesthetic Experience and the Viewer in Medicean Florence

Renaissance Art and Political Persuasion, 1459-1580
ID 384858
Slug somaesthetic-experience-and-the-viewer-in-medicean-florence-allie-terry-fritsch
Contributors
Author : Allie Terry-Fritsch
Annotation
Description Viewers in the Middle Ages and Renaissance were encouraged to forge connections between their physical and affective states when they experienced works of art. They believed that their bodies served a critical function in coming to know and make sense of the world around them, and intimately engaged themselves with works of art and architecture on a daily basis. This book examines how viewers in Medicean Florence were self-consciously cultivated to enhance their sensory appreciation of works of art and creatively self-fashion through somaesthetic experience. Mobilized as a technology for the production of knowledge with and through their bodies, viewers contributed to the essential meaning of Renaissance art and, in the process, bound them to others. By investigating the framework and practice of somaesthetic viewing of works by Benozzo Gozzoli, Donatello, Benedetto Buglioni, Giorgio Vasari, and others in fifteenth- and sixteenth-century Florence, the book approaches the viewer as a powerful tool that was used by patrons to shape identity and power in the Renaissance.
Genres
Subjects
685 Nieuwe geschiedenis (1500-1870) NUR
NSTC
Publisher Amsterdam University Press B.V.
Imprint
Language eng
Page count 312
Duration
Publication date first 2020-08-27
Publication date latest 2020-08-27
Cover URL
Editions
  • ISBN: 9789048544240 (EA)

Ratings & Reviews

0.0
0 ratings
Sign in to rate
You need to be logged in to submit a rating.

Recent Reviews

No reviews yet. Be the first to review this book!